Big, and Licence to Kill's main villain Franz SanchezĨ. The novel Live and Let Die provided the material surrounding Felix Leiter's mauling by a shark, whilst the film version of the book provided the close similarity between the main villain, Mr. Starting almost anew, Wilson and Maibaum together mapped out what would become Licence to Kill, but at this time went under the title Licence Revoked, it would remain that for the majority of the production.īefore the pair could develop the script properly the Writers Guild of America (WGA) went on strike and Maibaum was unable to continue writing, leaving Wilson to finish the script on his own.Īlthough both the main plot and title of Licence to Kill owe nothing to any of the Ian Fleming James Bond (indeed, Licence To Kill is the first film in the Bond series not to use a title of a Fleming novel), Wilson took inspiration from several elements from the books for his storyline, including a number of aspects of the short story "The Hildebrand Rarity", such as the character Milton Krest. Broccoli felt that that 1987 film had removed some of the novelty of filming in China, and decided upon using a tropical location instead.ģ. However, the Chinese government began to make some suggestion that they may require veto over the script, and whilst this issue was still in negotiation the film The Last Emperor was released. WilsonĪlso wrote two plot outlines about a drug lord in the Golden Triangle. Wall, as well as a fight scene amongst the Terracotta Army. Wilson and Richard Maibaum planned a chase sequence along the Great An invitation was given to EON by the Chinese government, and after a scouting visit it appeared as if it would be the location of choice. The producers decided that for the primary location they wanted a place where the series had not yet visited. Filming locations around the globe were sought out for Bond 16. Pinewood Studios, used in every previous Bond film, housed only the post-production and sound re-recording.Ģ. Because of the associated rising costs to Eon Productions the decision was made for no part of Licence to Kill to be filmed in the UK, making it the first Bond film not to do so. In 1985, the Films Act was passed in the United Kingdom, removing the Eady Levy (a tax on box office receipts, intended to support the British film industry and named after Sir Wilfred Eady), resulting in foreign artists being taxed more heavily.
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